Hello everyone, it's Erin here to tell you about yesterday's news. So far the young film makers have created a storyline and characters, wrote up and performed dialogue, sat through casting, handled film equipment with care and now it's time for what probably is the most important part of the film making process. Editing! Maria form Littlestar Media's catchphrase is "Always think of the edit". I've been around a year, long enough to hear it enough, least I can say I've learnt something. Drumming things into people's heads really does work.
The material given for the practise edit was all the original footage recorded for 'Vacant No. 21'. Something I'm quite familiar with, and I was looking forward to seeing three different takes on the film. I decided to observe Rebekah's, Zoe's and Jayne's attempt, and input a little constructive critique, but only a little, because these girls seemed to know what they were doing. I asked the girls some questions while they edited away.
Erin: Do you think editing is easy?
Zoe: Quite easy.
Rebekah: I thought it was going to be quite hard, I don't like computers, but it has turned out easy.
E: I noticed the doll clip keeps reoccurring, is it meant to represent something?
R: The doll represents one of the character's victims.
Z: People can interpret it in their own way.
E: If you were given the choice to edit between 'Running Fast' (another MYVP film) and 'Vacant No. 21' which would you choose and why?
Jayne: I've seen Running Fast, but not its original material, but Vacant N0.21 seems to have a lot more to play with visually, a lot more scope.
R: This is harder (Vacant No.21) to edit than ours (film
this group is making), as ours has a clearer storyline.
During the editing session everyone learned how to add transitions and sound to there mini films. You can usually tell when a transition has been used from when a scene has faded out and another fades in. They are used to indicate a lapse in time, e.g 28 days later (not the actual film). Marisa from Cornerhouse explains that if there are not used in a selective and considered way and thrown in whenever, they can confuse the audience.
Rebekah was interested to know how editing was done before computers made mistakes easier. Marisa enlightened us that the case was to cut the films up and tape them together, and that they were fed through film reels during viewings. So you can imagine how many more expensive mistakes were made during editing compared to today's technical magic that lets us retrieve our second ago slip on the keyboard.
After a few hours of playing around and making stories to be proud of, it came round to showcasing the mini films to each other. It was interesting to find out why the three groups had chosen the shots they used for their own take on 'Vacant No.21', and why most of them had an obsessive want for the use of the creepy doll.
Maria came to a conclusive lecture on how editing something can give the film maker endless possibilities for the outcome of the film. A true expression of creativity.
Erin :)